12/27/2023 0 Comments Fairytale fights jim sterlingIt didn't make it into the show, but I was crying, too, because I knew how much work goes into these installations. One of them, which just made me completely tear up, was when Helen and Andi's crab structure fell. I wanted to touch on a couple really emotional moments from the show. I think the most successful pieces were by the designers who took risks, but also had the technical understanding to back it up. It was really important for me, for them to be vulnerable as artists and as designers. I really wanted to see their personality, I really want to see their own creative prowess. Then on top of that, I think that what I'm also looking for is the teams to really take it further than what I had originally set out. So being able to have criteria that we were going to give to the teams allowed for me to already have a blueprint of what I was going to be looking for. It wasn't difficult at all, actually, because I worked very closely with the production team in order to get it down. I was curious how difficult it was for you, as a judge, to develop a rubric for what you wanted to see out of the competitor's designs? So obviously, floral competitions are well-established, but it's not something that people tune in to watch on television to watch super-often. I think that's such a great point, and it leads into another question I had. That is also the sign of a good floral designer - that effortless communication of an idea. But in reality, it took someone probably hours to make something that looks like it took no time at all. I always encourage exploring your creative side. You know, people are like, "Oh, it's so pretty, it's so great," and then they think they can go home and do it themselves, which I do encourage. Really good floral design mimics that sort of relationship between nature and man, so a lot of that takes a lot of practice and that takes a lot of time and diligence. It feels as though it just miraculously came from the earth and appeared, so it feels easy. So nature, but its own sort of origins, feels as though it just showed up. Because if you're dealing with flowers, it's a product of nature. I think the biggest misconception that I've experienced in my professional career is how much time and energy it takes to make an arrangement that looks like it took no time at all. What do you think some of the biggest misconceptions about florists or working with flowers are? Because I feel like this show is going to be a shock to people in a lot of ways. He spoke with Salon about developing a rubric for judging contestants, the challenge outcome that made him cry, and how his own business is faring during the pandemic. Lead judge Kristen Griffith-VanderYacht - with his sunny outlook and sharp suits - is an immediate crowd favorite. Over the course of eight challenges, 10 different teams of two race against the clock to craft an extravagant floral sculpture - each tied to a different theme, like "enormous insects," "green giants" or the spellbinding "fairytale finish" finale. "The Big Flower Fight" is Netflix's new floral sculpture competition, blossoming with eye-popping creations and a buoyant energy that's reminiscent of "The Great British Bake-Off." And in a time when people are largely homebound and may feel a little disconnected from the outside world, it's an easily bingeable series that showcases nature with a kind of whimsical halo. The following contains spoilers from the first season of "The Big Flower Fight," including that bloomin' finale.
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